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Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans
Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans
Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans
Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans
Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans
Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans

Shutter Island DVD | Psychological Thriller Movie | Leonardo DiCaprio | Mystery & Suspense Film | Perfect for Movie Nights & Psychological Drama Fans

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Description

DVD ZONE 2 NEUF Langues : Français, Anglais Sous titres : Français, Anglais, Neerlandais Le marshal Teddy Daniels est envoyé sur l'île de Shutter Island pour enquêter dans un hôpital psychiatrique où sont enfermés de dangereux criminels. Ce qui s'avérait être une enquête de routine prend rapidement un tournant surprenant. Au fur et à mesure du déroulement de l'enquête, Teddy dévoile des vérités sur l'île de plus en plus choquantes et terrifiantes, et découvre qu'il existe certains endroits d'où on ne vous laisse jamais repartir.

Reviews

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My rating is more of a 4.5Thanks for reading!????? ?????? - ????'?? ??? ??????? ????????.???? ????, ?????? ???????Shutter Island is a 2010 American neo-noir psychological thriller film directed by Martin Scorsese and written by Laeta Kalogridis, based on Dennis Lehane's 2003 novel of the same name.Leonardo DiCaprio stars as Deputy U.S. Marshal Edward "Teddy" Daniels, who is investigating a psychiatric facility on Shutter Island after one of the patients goes missing. As the investigation deepens, Teddy realizes he will have to confront his own dark fears if he hopes to make it off the island alive. Mark Ruffalo plays his partner and fellow deputy marshal, Ben Kingsley is the facility's lead psychiatrist, Max von Sydow is a German doctor, and Michelle Williams is Daniels' wife.While ??????? ?????? and the facility featured in it are fictitious, Boston harbor - where author Lehane is originally from - would provide inspiration for the original story’s context.Home to a collection of social institutions - prisons, psychiatric centers, and the like - Long Island in particular was established in 1893 and remained operational until the mid 1900s. Despite there being no evidence of surgical interventions (like lobotomies) being performed at this institution, it was no stranger to allegations of abuse or mistreatment: with some accusations of staff knowingly poisoning patients with strychnine and withholding much needed medical attention.??????? ?????? ‘s source material highlights a claustrophobic environment ; it’s bleak, laughably small when compared to Scorsese’s set design, and depends on the tight knit nature of its components to drive the tension for readers in a complimentary fashion. This same island and its notable landmarks - specifically, the lighthouse and specified wards - have an imposing (yet elegant) aesthetic in this cinematic adaptation: mirroring ??? ??????? in terms of the palpable discomfort and highlighted sense of isolation plaguing its protagonist(Sort of a #funfact, even though some of the locations were created using CGI, one of the more important filming locations was actually Medfield State Hospital, which was the first Asylum established for mentally ill individuals in Massachusetts that was founded in 1892. It has been closed as of 2003, but it’s grounds remain open to the public)Speaking of its protagonist, Teddy Daniel’s personality is given a facelift of sorts, with Scorsese and screenwriter Laeta Kalogridis emphasizing attributes likely to draw sympathy from viewers as opposed to aversion. In line with Lehane’s bibliography, the original version of Daniel’s is morally ambiguous (though, at times, glistening with ill intent), and could be perceived in some ways as worse than the patients he searching for: both with permission and for his own chance at vigilante justice. Vindicated by an intermittent veil of moral righteousness (and confidence in what is right and wrong), and yet complicated by a montage of obviously traumatizing experiences, ??????? ?????? is the gift that keeps on twisting: both predictably and exclusively in tandem.Fast paced in comparison to Lehane’s writing, ??????? ?????? is meticulous in not letting audience members linger in uncertainty for too long by reducing the deduction time needed for specific motifs (In example, a note) while maintaining the integrity of the overarching plot. I can only say in retrospect that the presence of Daniel’s delusions (or, what could most accurately be described as nightmares and intrusive thoughts) insist upon themselves: acting as could be party favors and taking away from the ????????? of the final twist as opposed to reinforcing it.There is, however, a sustained strength in ??????? ??????’s largest deviance from the book it is inspired by: a final question that delves into the relationship between perception and perspective, and moreover, the extent in a which a moment of mental clarity can offset a history clouded by hallucinations, culpability, and judgment. This makes each viewing vastly different as they relate to the conclusions viewers might draw, and differs substantially from Lahane’s closed (and definite) ending.One of the better book-to-film adaptations to date, ??????? ?????? has bragging rights as a well developed thriller that makes Lehane’s material complex without needless patronizations. Compromised in some ways - as some surprises are less obscure than others - Scorsese’s charm is preserved through his inclination towards ambiguity in its final stretch: surmounting, as an actual shutter might, rigid control over what viewers can see, and only pliable influence over what viewers might feel.